Archive for movie talk

What’s your favorite ghost movie?

// May 2nd, 2011 // No Comments » // movie talk

1. The Orphanage (2007)

© Picturehouse
THE TRAILER:
El Orfanato is the original title. It was produced by Guillermo del Toro (Pan’s Labyrinth, The Devil’s Backbone). It’s about a mother never-ending effort in searching for her lost son. I watched it alone, wearing headphone in the middle of the night, but the sounds were way too creepy, I decided to delay watching it until daytime and with NO headphone.

2. The Others (2001)

© Miramax Films
THE TRAILER:
To me, this is Nicole Kidman’s best movie. The cast (especially the children), the setting and everything about the movie was perfect. If you decide to check the trailer, don’t read the comments below so it won’t ruin your movie experience.

3. The innocents (1961)

© ?
THE TRAILER:
It’s an old movie, in fact it’s in black and white so therefore no fancy special effects or CGI kind of things. It was so simple, but I think it was way more effective because it looks more real. I love The Others so much, I want to experience some scary movie at the same level and some people suggest me ‘The Innocents’, and it works (scares me) really well obviously.

4. The Sixth Sense (1999)

©Hollywood/Buena Vista
THE TRAILER:
“I see dead people…” That’s probably one of the most memorable quotes ever. Haley Joel Osment is perfect in his part as the kid who is, yes, seeing the dead people. He was so great he was nominated for Oscar. Just like The Others, it’s better not knowing anything about the movie before you watch it.

5. The Ring (2002)

©DreamWorks
THE TRAILER:
Usually the remake couldn’t match the original, but I actually prefer Naomi Watts’s version. Unfortunately, now there were too many copycats and parodies that could ruin the enjoyment of everyone who decided to watch this movie for the first time.

Any scary ghost movies that you’d like to share?

10 Best Film Scores of All Time

// April 23rd, 2011 // 4 Comments » // movie talk, na na na, tv

score
My song picks for my 30 Days Song Challenge today inspired me to make a list of my favorite film scores of all time. So, here it goes:

1. Godfather (Nino Rota)

The most haunting piece of music that I’ve ever heard. Definitely best of the best. No question on why the theme of this movie became classic just like the movie itself.

2. Up (Michael Giacchino)

Especially the track called Marriage Life. When the music is playing during the movie, you will experience the best of 4:21 minutes in cinema history. No kidding.

3. Harry Potter and the Deathly Hallows Part 1 (Alexandre Desplat)

I have been a fan for this franchise for years, but never really care with the score, until Deathly Hallows Part 1 hits the theatre. At least there three favorite tracks of mine: Obliviate, Snape to Malfoy Manor and Farewell To Dobby. I am so happy to know Desplat will do the second part as well.

4. Love Story (Francis Lai)

Not really my favorite movie, but it wasn’t a bad movie at all and I could understand why it became such a classic. However, the best part is obviously the score. You will probably have heard it even when you haven’t seen the movie.

5. Psycho (Bernard Herrmann)

Alfred Hitchcock favorite composer. He at least has written the scores for almost every Hitchcock masterpiece from The Trouble with Harry (1955) to Marnie (1964), of course the one for Psycho (1960) no doubt was his best work.

6. The Omen (Jerry Goldsmith)

I almost couldn’t play this one while I am alone. Someone said this is the Lord of all horror soundtracks. Listen to it yourself if you don’t believe me. I played this while I am writing this, but maybe I shouldn’t as my neighbor might think I started a cult or something.

7. The Exorcist (Steve Boeddeker)

Quite confusing on whom did the score. It seemed it was done by many different artists, but the one that I love the most is called ‘Tubular Bells” composed by Mike Oldfield.

8. Lust, Caution (Alexandre Desplat)

I was so intrigued by every element at the movie: acting, story, direction, cinematography, and more especially the score. I thought it was brilliant and couldn’t wait to find out the person behind it. I was so happy to find out that it was no other than Alexandre Desplat.

9. Kill Bill Volume 1 and 2 (RZA)

I’d love to have Quentin Tarrantino playlist, it seemed we might like the same kind of music. Thanks to him, I got to know Nancy Sinatra and Shivarree’s goodnight moon. However, the track that caught my attention the most was called The Lonely Shepherd – Gheorghe Zamfir (produced by RZA), at the end of Kill Bill volume 1 (what a perfect ending).

10. Forrest Gump (Alan Silvestri)

My earliest memory in paying attention at movie scores. It’s still one of the best scores of all time.

Honorable mention: Rosemary’s Baby (Christopher Komeda), Life Is Beautiful (Nicola Piovani), Let Me In (Michael Giacchino), The Golden Compass (Alexandre Desplat), Heaven and Earth (Kitaro), The Chroncles of Narnia: The Lion, The Wich, and The Wardrobe (Harry Gregson-Williams) more especially the track called Evacuating London), Midnight Express (Giorgio Moroder)

Some scores that I love, but never seen the movie, here as follow: Breakfast at Tifanny’s (Henry Mancini), Romeo and Juliet (Nino Rota)

What about television show? There was one and only score that I love the most. It’s from the Twin Peaks and it’s written by Angelo Badalamenti.

Nominees for the 83rd Academy Awards: The Oscar goes to…

// February 23rd, 2011 // No Comments » // movie talk

king
Photo by The Weinstein Company

Every year I make my own prediction on who are going to win the Oscar. Unfortunately, I couldn’t afford to watch every movies, so my prediction mostly just based on what I read or hear from media, blogs, movie reviews and then I tried to create my own conclusion. So here goes:

Actor in a Leading Role
Javier Bardem in “Biutiful”
Jeff Bridges in “True Grit”
Jesse Eisenberg in “The Social Network”
Colin Firth in “The King’s Speech”
James Franco in “127 Hours”

The Oscar goes to: Colin Firth (he already wins Golden Globe and Critics Choice award).

Jesse Eisenberg is pretty strong contender. If Colin didn’t win, then he will. Bridges wouldn’t win because he just won last year, and it’s so unlikely for academy to have the same winner for two years in the row.

Actor in a Supporting Role
Christian Bale in “The Fighter”
John Hawkes in “Winter’s Bone”
Jeremy Renner in “The Town”
Mark Ruffalo in “The Kids Are All Right”
Geoffrey Rush in “The King’s Speech”

The Oscar goes to: Christian Bale (He wins the Golden Globe and I don’t hear enough buzz from the other actors)

Even though they have much slimmer chance, but Oscar might choose Ruffalo and Rush as well.

Actress in a Leading Role
Annette Bening in “The Kids Are All Right”
Nicole Kidman in “Rabbit Hole”
Jennifer Lawrence in “Winter’s Bone”
Natalie Portman in “Black Swan”
Michelle Williams in “Blue Valentine”

The oscar goes to: Annette Bening (She has been nominated several times and always lost, so perhaps her time has arrived? Though, I wouldn’t be surprise if they choose Natalie Portman instead).

I decided to against all odds by choosing Benning. Most of prediction saying that Portman is going to win. However, from what I heard, Michelle Williams actually the one that gives the BEST performance ever, but not enough buzz for her. It’s good to see Kidman back on the race, but I don’t think she will win. My own preference is actually Julianne Moore. I only saw the performances by Benning, Portman and Moore, as much as I love the other two, but I like Moore even more and shocked that she wasn’t even nominated.

Actress in a Supporting Role
Amy Adams in “The Fighter”
Helena Bonham Carter in “The King’s Speech”
Melissa Leo in “The Fighter”
Hailee Steinfeld in “True Grit”
Jacki Weaver in “Animal Kingdom”

The Oscar goes to: Melissa Leo (her recent winning at the Golden Globe winning might has influence my prediction)

Based on many reviews by critics and regular viewers, Steinfeild actually gave the amazing performance and many think that she should be nominated for leading role instead of supporting. However, she still pretty new in the race and I suspect the Oscar would rather award the more experienced actress. Though, I just read that recent Leo campaign could hurt her chance to win. If so, then Steinfeild might get it.

Animated Feature Film
“How to Train Your Dragon” Chris Sanders and Dean DeBlois
“The Illusionist” Sylvain Chomet
“Toy Story 3” Lee Unkrich

The Oscar goes to: Toy Story 3 (One of the best movie of the year. It will definitely win because it’s also got nominated in Best Picture category, so it would be too strange if they actually lost)

If Toy Story didn’t get nominated for the Best Picture, then How To Train Your Dragon had almost the same chance to win, who is surprisingly (according to people who have watched it) try to follow the Pixar footsteps by focusing in great storytelling.

Art Direction
“Alice in Wonderland”
Production Design: Robert Stromberg; Set Decoration: Karen O’Hara
“Harry Potter and the Deathly Hallows Part 1”
Production Design: Stuart Craig; Set Decoration: Stephenie McMillan
“Inception”
Production Design: Guy Hendrix Dyas; Set Decoration: Larry Dias and Doug Mowat
“The King’s Speech”
Production Design: Eve Stewart; Set Decoration: Judy Farr
“True Grit”
Production Design: Jess Gonchor; Set Decoration: Nancy Haigh

The Oscar goes to: Inception (Why? Simply because Inception is this year’s Avatar).

I think Deathly Hallows has amazing art direction as well, but Inception offering something new that we’ve never seen before, so it deserves to win.

Cinematography
“Black Swan” Matthew Libatique
“Inception” Wally Pfister
“The King’s Speech” Danny Cohen
“The Social Network” Jeff Cronenweth
“True Grit” Roger Deakins

The Oscar goes to: Inception (they deserve it, in fact they SHOULD win all the technical categories).

However, The Black Swan might “steal” the Oscar. Many people think this movie was great in technical aspects too. I have to disagree, though. It was brilliant movie and I enjoy it a lot, but I don’t think it should win this category.

Costume Design
“Alice in Wonderland” Colleen Atwood
“I Am Love” Antonella Cannarozzi
“The King’s Speech” Jenny Beavan
“The Tempest” Sandy Powell
“True Grit” Mary Zophres

The Oscar goes to: The King’s Speech (As one of the best pictures nominees, I think they might win other categories as well).

This time I am surprised that The Black Swan wasn’t nominated. I think Natalie Portman’s costume as the evil Black Swan was beyond beautiful. Weeks ago, I actually predict Alice In Wonderland that most likely to win in this category, but I’ve slowly begun change my mind after reading more news and reviews about The King’s Speech.

Directing
“Black Swan” Darren Aronofsky
“The Fighter” David O. Russell
“The King’s Speech” Tom Hooper
“The Social Network” David Fincher
“True Grit” Joel Coen and Ethan Coen

The Oscar goes to: David Fincher (another category that I am almost 100% sure)

What a surprise that Christopher Nolan wasn’t even nominated. Talking about biggest Oscar snub this year.

Documentary (Feature)
“Exit through the Gift Shop” Banksy and Jaimie D’Cruz
“Gasland” Josh Fox and Trish Adlesic
“Inside Job” Charles Ferguson and Audrey Marrs
“Restrepo” Tim Hetherington and Sebastian Junger
“Waste Land” Lucy Walker and Angus Aynsley

The Oscar goes to: I don’t know and hard to guess at all.

Documentary (Short Subject)
“Killing in the Name” Nominees to be determined
“Poster Girl” Nominees to be determined
“Strangers No More” Karen Goodman and Kirk Simon
“Sun Come Up” Jennifer Redfearn and Tim Metzger
“The Warriors of Qiugang” Ruby Yang and Thomas Lennon

The Oscar goes too: No clue at all.

Film Editing
“Black Swan” Andrew Weisblum
“The Fighter” Pamela Martin
“The King’s Speech” Tariq Anwar
“127 Hours” Jon Harris
“The Social Network” Angus Wall and Kirk Baxter

The Oscar goes to: The Black Swan (I can’t say that I agree if they really win, I think Inception should win, but it doesn’t even get nominated)

The Fighter has a good chance too (I assumed it must be quite hard to edit fighting scene).

Foreign Language Film
“Biutiful” Mexico
“Dogtooth” Greece
“In a Better World” Denmark
“Incendies” Canada
“Outside the Law (Hors-la-loi)” Algeria

The Oscar goes to: In a Better World (It’s already won the Globe, that’s why)

Makeup
“Barney’s Version” Adrien Morot
“The Way Back” Edouard F. Henriques, Gregory Funk and Yolanda Toussieng
“The Wolfman” Rick Baker and Dave Elsey

The Oscar goes to: The Wolfman (the only movie that I am familiar with)

No Alice In Wonderland? No Deathly Hallows? Not even The Black Swan?


Music (Original Score)
“How to Train Your Dragon” John Powell
“Inception” Hans Zimmer
“The King’s Speech” Alexandre Desplat
“127 Hours” A.R. Rahman
“The Social Network” Trent Reznor and Atticus Ross

The Oscar goes to: The Social Network

My personal preference will be Desplat score for Deathly Hallows. That was just amazing and I am really root for him. Oh, well. I am glad he got nominated for The King’s Speech.

Music (Original Song)
“Coming Home” from “Country Strong” Music and Lyric by Tom Douglas, Troy Verges and Hillary Lindsey
“I See the Light” from “Tangled” Music by Alan Menken Lyric by Glenn Slater
“If I Rise” from “127 Hours” Music by A.R. Rahman Lyric by Dido and Rollo Armstrong
“We Belong Together” from “Toy Story 3″ Music and Lyric by Randy Newman

The Oscar goes to: Coming Home from Country Strong.

Best Picture
“Black Swan” Mike Medavoy, Brian Oliver and Scott Franklin, Producers
“The Fighter” David Hoberman, Todd Lieberman and Mark Wahlberg, Producers
“Inception” Emma Thomas and Christopher Nolan, Producers
“The Kids Are All Right” Gary Gilbert, Jeffrey Levy-Hinte and Celine Rattray, Producers
“The King’s Speech” Iain Canning, Emile Sherman and Gareth Unwin, Producers
“127 Hours” Christian Colson, Danny Boyle and John Smithson, Producers
“The Social Network” Scott Rudin, Dana Brunetti, Michael De Luca and Ceán Chaffin, Producers
“Toy Story 3” Darla K. Anderson, Producer
“True Grit” Scott Rudin, Ethan Coen and Joel Coen, Producers
“Winter’s Bone” Anne Rosellini and Alix Madigan-Yorkin, Producers

The Oscar goes to: The King’s Speech

Only recently that I start to have faith that the academy will choose different winner than Golden Globe. In that case, then The King’s Speech might win. Until a week ago, I actually predicted The Social Network will win hugest award, still they still have huge chance to win more than any other nominees

Short Film (Animated)
“Day & Night” Teddy Newton
“The Gruffalo” Jakob Schuh and Max Lang
“Let’s Pollute” Geefwee Boedoe
“The Lost Thing” Shaun Tan and Andrew Ruhemann
“Madagascar, carnet de voyage (Madagascar, a Journey Diary)” Bastien Dubois

The Oscar goes to: Day and Night (Day and Night was the only one I’ve seen and familiar with, but I won’t be shocked if the academy will choose other instead)

Short Film (Live Action)
“The Confession” Tanel Toom
“The Crush” Michael Creagh
“God of Love” Luke Matheny
“Na Wewe” Ivan Goldschmidt
“Wish 143” Ian Barnes and Samantha Waite

The Oscar goes to: No clue.

Sound Editing
“Inception” Richard King
“Toy Story 3” Tom Myers and Michael Silvers
“Tron: Legacy” Gwendolyn Yates Whittle and Addison Teague
“True Grit” Skip Lievsay and Craig Berkey
“Unstoppable” Mark P. Stoeckinger

The oscar goes to: Toy Story 3

Not enough love from academy for Inception to win.

Sound Mixing
“Inception” Lora Hirschberg, Gary A. Rizzo and Ed Novick
“The King’s Speech” Paul Hamblin, Martin Jensen and John Midgley
“Salt” Jeffrey J. Haboush, Greg P. Russell, Scott Millan and William Sarokin
“The Social Network” Ren Klyce, David Parker, Michael Semanick and Mark Weingarten
“True Grit” Skip Lievsay, Craig Berkey, Greg Orloff and Peter F. Kurland

The oscar goes too: Inception (not really sure though)

Visual Effects
“Alice in Wonderland” Ken Ralston, David Schaub, Carey Villegas and Sean Phillips
“Harry Potter and the Deathly Hallows Part 1” Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi
“Hereafter” Michael Owens, Bryan Grill, Stephan Trojansky and Joe Farrell
“Inception” Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb
“Iron Man 2” Janek Sirrs, Ben Snow, Ged Wright and Daniel Sudick

The oscar goes to: Inception

This time it got better chance than the other nominess

Writing (Adapted Screenplay)
“127 Hours” Screenplay by Danny Boyle & Simon Beaufoy
“The Social Network” Screenplay by Aaron Sorkin
“Toy Story 3” Screenplay by Michael Arndt; Story by John Lasseter, Andrew Stanton and Lee Unkrich
“True Grit” Written for the screen by Joel Coen & Ethan Coen
“Winter’s Bone” Adapted for the screen by Debra Granik & Anne Rosellini

The oscar goes to: The Social Network

It’s already won the Golden Globe for the same category.

Writing (Original Screenplay)
“Another Year” Written by Mike Leigh
“The Fighter” Screenplay by Scott Silver and Paul Tamasy & Eric Johnson;
Story by Keith Dorrington & Paul Tamasy & Eric Johnson
“Inception” Written by Christopher Nolan
“The Kids Are All Right” Written by Lisa Cholodenko & Stuart Blumberg
“The King’s Speech” Screenplay by David Seidler

The oscar goes to: The Kids Are All Right
I hope the academy will show a little love for this movie.

Feels like an European thriller

// January 31st, 2011 // No Comments » // movie talk

Natalie Portman
Black Swan
Distributor:Fox Searchlight
Directed By: Darren Aronofsky
Cast: Natalie Portman, Mila Kunis, Barbara Hershey, Vincent Cassel and Winona Ryder

I have a thing in movie like this. This one seemed like a mix between Single White Female with Fight Club, with a little touch of Persona even Mulholland Dr. Does anyone also ever seen L’Appartement? If not, then maybe you should. Come to think about it, 3 Women by Robert Altman had almost the same formula. Even though the Black Swan setting is in US, but you cannot help to feeling European thriller atmosphere; minimal dialog and more focused on expression, camera movement, and in this case… the ballet itself. Natalie Portman (we knew there was something about her when we first saw her on The Professional) is Nina Sayers, a dancer who got chosen for a once in a lifetime role in The Swan Lake. The ballet director Thomas Leroy (Vincent Cassel) thinks she was perfect as the innocent white swan, but not so much for the evil twin, the black swan. The whole movie is about Nina trying to prove that she could play both role, then here comes Lily, another girl that Nina fears after the same role. She was also talented and more confident than Nina, the kind of girl that fits as the black swan. The differences between this movie and the others that I wrote earlier, the twist isn’t the strongest side of this movie. It is more focused on the main characters. Natalie Portman gives a solid performance and maybe the best on her career yet, with the result of Oscar nomination, and maybe she could win it as well. The other cast gave a great performance, more especially by Barbara Hershey as Erica Sayers, Nina’s mother.